CAJ | 학술논문

在数字化时代借用新叙事学“视窗”概念，将文学理论与文学批评实践结合起来，能够开启文学研究及其意义阐发的多元之窗。借助叙事学、读者反应批评、新历史主义、后殖民主义和解构论等理论方法，可以对人们习以为常的莎士比亚《暴风雨》等外国文学经典作家作品作出新的诠释。当代西方文论丰富多彩的理论话语烛照，能够矫正当前文化研究转向后忽视文学本体的理论偏颇，践行文化语境与文学文本研究辩证互动的文化诗学，提升我们对人类精神结晶--文化与文学的价值判断与审美体悟。
재수자화시대차용신서사학“시창”개념，장문학이론여문학비평실천결합기래，능구개계문학연구급기의의천발적다원지창。차조서사학、독자반응비평、신역사주의、후식민주의화해구론등이론방법，가이대인문습이위상적사사비아《폭풍우》등외국문학경전작가작품작출신적전석。당대서방문론봉부다채적이론화어충조，능구교정당전문화연구전향후홀시문학본체적이론편파，천행문화어경여문학문본연구변증호동적문화시학，제승아문대인류정신결정--문화여문학적개치판단여심미체오。
It would open the multiple windows for researching literature and elucidating its significance by employing the concept “windows” of new narratologies, blended literary theory and its critical practice, in the digital era. With the help of the approaches of the narratology, reader response criticism, new historicism, post colonialism and deconstruction theory, one can make new annotation to the accustomed foreign writers and literary classics such as Shakespeare’s Tempest. In the highlight of the rich and varied theoretical discourse of contemporary Western literary theory, there are the possibilities to correct the biases which overlooked literary ontology after the turn of current cultural study, to practice the cultural poetics which deals with dialectical interaction between cultural context and literary text, and to enhance one’s understanding the fruits of human spirit-the values of culture and literature, as well as the aesthetic experience.