CAJ | 학술논문

与柏拉图的思想一样，《乐记》作为我国先秦美学思想的集成，其所致力于追求的是建立一个有序的政治、经济、社会生活共同体，所以其音乐美学思想并非独立存在，不能离开他们的整个思想体系。与柏拉图思想所不同的是，传统中国的自然地理、气候条件、经济基础与古希腊存在巨大的差异，因此导致了其思维方式的不同，从而影响了世界上两个重要文明在之后数千年的走向。如今，世界各国文明的交流越来越紧密，中国传统文化面临现代化的转型。如何认识两者，关系如何认识我们自身；如何认识过去，关系我们当下的现状甚至是未来。
여백랍도적사상일양，《악기》작위아국선진미학사상적집성，기소치력우추구적시건립일개유서적정치、경제、사회생활공동체，소이기음악미학사상병비독립존재，불능리개타문적정개사상체계。여백랍도사상소불동적시，전통중국적자연지리、기후조건、경제기출여고희석존재거대적차이，인차도치료기사유방식적불동，종이영향료세계상량개중요문명재지후수천년적주향。여금，세계각국문명적교류월래월긴밀，중국전통문화면림현대화적전형。여하인식량자，관계여하인식아문자신；여하인식과거，관계아문당하적현상심지시미래。
As the same to Plato’s thought, “Yue Ji” as the integration of Chinese aesthetics thought before Qin Dynasy, its aim is to establish an orderly community about political, economic and social life, so the music aesthetics do not exist independently, and is away from their whole ideology. Because of the natu-ral geographical climatic conditions and economic base, it results in different ways of thinking, which ac-cordingly causes the different music aesthetic thoughts in the world’s two important civilizations in thousands of years. Today, the communication between different civilizations in the world is close, Chinese traditional must take action to solve the challenge. How to understand their relation is to comprehend ourselves;grasping the past is to understand now even the future.