CAJ | 학술논문

“诗意栖居”是海德格尔后期哲学思想的主旋律，而《艺术作品的本源》则从文艺美学的角度对其做出深度的呼应。通过文本分析，我们认为后期海德格尔建构了“诗艺一体”的存在主义艺术观；同时，语言符号的神圣性在他的艺术阐释语境中复归并承担起构建“存在之家”的“诗话”功能。
“시의서거”시해덕격이후기철학사상적주선률，이《예술작품적본원》칙종문예미학적각도대기주출심도적호응。통과문본분석，아문인위후기해덕격이건구료“시예일체”적존재주의예술관；동시，어언부호적신골성재타적예술천석어경중복귀병승담기구건“존재지가”적“시화”공능。
"Poetic dwelling"is considered to be the main theme of Heidegger's later philosophic thinking , and The Origin of the Work of A rts is the depth echo to the thought in literary aesthetics .Through the tex-tual analysis ,it is found that Heidegger has established the existentialist view of art ,w hich is know n as"po-etry and art integration".At the same time ,the sacredness of language has been revived and played the "po-etry"function of constructing "house of being"in his artistic interpretation context .