CAJ | 학술논문

在20世纪80年代声势浩大的“拿来”潮流中，中国文坛迎来了西方各种主义与文学思潮，也迎来了拉美的魔幻现实主义。作为其代表作家之一，马尔克斯的创作及思想一直影响和启悟着新时期以来文学的创作，震撼和激励着处于文化身份、文学变革双重焦虑之中的中国作家。王安忆便是其中一位。无论是其作品对孤独主题的表达、时空模式的构建，还是其文本中对隐喻象征手法的化用，穿越历史的时空，都能感受到她与马尔克斯的“道同”。
재20세기80년대성세호대적“나래”조류중，중국문단영래료서방각충주의여문학사조，야영래료랍미적마환현실주의。작위기대표작가지일，마이극사적창작급사상일직영향화계오착신시기이래문학적창작，진감화격려착처우문화신빈、문학변혁쌍중초필지중적중국작가。왕안억편시기중일위。무론시기작품대고독주제적표체、시공모식적구건，환시기문본중대은유상정수법적화용，천월역사적시공，도능감수도저여마이극사적“도동”。
During the great trend of“borrowing”in the 1980s, different western literature schools were intro-duced to Chinese literature, and Latin American magical realism was one of them. As one of the representative writers, Marcks influenced and enlightened Chinese literature in his creation and thought, which shocked and promoted Chi-nese writers both in difficulties of cutural identity and literature reform. Wang Anyi was one of the writers, whose works are deeply influenced by Marcks in the expression of loneliness theme, time and space mode construction and the metaphor and symbol writing features.