CAJ | 학술논문

华兹华斯曾在《抒情歌谣集》1800年版序言里，引用托马斯·格雷的诗作来说明18世纪的陈词滥调妨碍了诗歌表达真情实感。而基于对《墓园挽歌》的文本研究，认为《墓园挽歌》包含了华兹华斯诗学的三个哲学元素：（1）天人合一的自然生态思想；（2）超越理性的想象与情感论；（3）返璞归真的人性哲学。这表明《墓园挽歌》在从新古典主义文学过渡到浪漫主义文学的过程中起着承上启下的重要作用。正是这位充满感伤情绪的古典主义者在18世纪中叶传达了后来华兹华斯、柯尔律治等人要大力宣扬的浪漫主义诗学思想。
화자화사증재《서정가요집》1800년판서언리，인용탁마사·격뢰적시작래설명18세기적진사람조방애료시가표체진정실감。이기우대《묘완만가》적문본연구，인위《묘완만가》포함료화자화사시학적삼개철학원소：（1）천인합일적자연생태사상；（2）초월이성적상상여정감론；（3）반박귀진적인성철학。저표명《묘완만가》재종신고전주의문학과도도랑만주의문학적과정중기착승상계하적중요작용。정시저위충만감상정서적고전주의자재18세기중협전체료후래화자화사、가이률치등인요대력선양적랑만주의시학사상。
William Wordsworth once quoted Thomas Gray’s poem in his The Prelude Lyrical Ballads (1800) to demonstrate that the cliché of 18th century had hindered the expression of true feelings. Through carefully appreciation and study of Gray’s Elegy Written in a Country Churchyard, we find that it was just this sentimental classicist who had promoted the later Wordsworth and Coleridge’s Romantic theories on poetry in the mid-eighteenth century and there are three philosophical elements of Wordsworth’s poetical thoughts hidded in the text: (1) Ecological conception of the integration of man and nature, (2) imaginative and affective theory beyond rationalism, (3) philosophy of human nature returning to purity and simplicity. These three findings show that Thomas Gray’s Elegy Written in a Country Churchyard plays an important role of connecting what went before with what follows when the literature finish the transition from Neoclassicist Literature to Romantic Literature.