CAJ | 학술논문

红柯小说弥漫着丰沛的生命气息，众多引人瞩目的审美意象的诗性展示使之更加充实和浓烈。其中，河流意象出现频密，且意蕴丰富。这既来自红柯十年北疆生活的经验积存，也源于作家文化寻根的自觉诉求，并试图用河流这一古老意象冲刷现代文明的孱弱，重建原始而野性的西部文化世界。由此，既体现了红柯小说风格独特的生命意识，也形成了对西部文学雄健浪漫精神的积极建构。
홍가소설미만착봉패적생명기식，음다인인촉목적심미의상적시성전시사지경가충실화농렬。기중，하류의상출현빈밀，차의온봉부。저기래자홍가십년북강생활적경험적존，야원우작가문화심근적자각소구，병시도용하류저일고로의상충쇄현대문명적잔약，중건원시이야성적서부문화세계。유차，기체현료홍가소설풍격독특적생명의식，야형성료대서부문학웅건랑만정신적적겁건구。
The sense of life was abundant in Hong Ke’s novel, which became more fulfilling and strong by many compelling aesthetic images poetically displayed. The image of river frequently appeared in various texts, which had many implications and rich connotations. It was not only produced from 10 years’ accumulated life experience in north Xinjiang, also effected by author’s desire of the cultural roots. He wanted to use the ancient image to scour the weak temperament of modern civilization and reconstruct the original wild western culture. Consequently, it reflects the unique life consciousness of Hong ke’s novel and actively constructs the magnificent romantic spirit of western literature .