CAJ | 학술논문

在对跨族群书写的评判中，文学介入少数族群的视角、少数族群文化的文本呈现形态和文学介入族群历史的方式等方面成为关注的焦点。赢得广泛好评的《额尔古纳河右岸》在这个向度上提供了很好的范例：族内人的女性成长视角、少数族群文化的深情描摹及其以边缘姿态介入族群历史的叙述姿态等，无疑是跨族群书写值得借鉴的方面。与此同时，对少数族群文化图解式的描摹、人物塑造的平面化等缺陷也不容忽视。
재대과족군서사적평판중，문학개입소수족군적시각、소수족군문화적문본정현형태화문학개입족군역사적방식등방면성위관주적초점。영득엄범호평적《액이고납하우안》재저개향도상제공료흔호적범례：족내인적녀성성장시각、소수족군문화적심정묘모급기이변연자태개입족군역사적서술자태등，무의시과족군서사치득차감적방면。여차동시，대소수족군문화도해식적묘모、인물소조적평면화등결함야불용홀시。
In cross-ethnic writing criticism, the focuses are literary intervention in ethnic groups, the textualization of ethnic culture and the pattern of literary intervention in ethnic history. In light of this, is an excellent example: the ethnic female perspective of Bildungsroman, the exquisite writing of ethnic culture, and the narration of marginal intervention in ethnic history, all the above aspects are worthwhile cases in cross-ethnic writing. However, some defects should not be ignored such as the imagery of ethnic culture, flattening of characters and so on.