文化艺术研究
文化藝術研究
문화예술연구
STUDIES IN CULTURE & ART
2014年
3期
149-157
,共9页
《洛神赋图》%《洛神赋》%“我”%洛神%图像阐释
《洛神賦圖》%《洛神賦》%“我”%洛神%圖像闡釋
《락신부도》%《락신부》%“아”%락신%도상천석
the painting The Goddess of the Lo River%the prose-poem The Lyric for Lo River God-dess%“me”%Lo River goddess%graphical interpretation
对《洛神赋》的人物形象的阐释是《洛神赋图》的要义之一。顾恺之以人物画擅长，《洛神赋图》中人物是中心和主体；而《洛神赋》故事的深层底蕴在于表现了人的一种精神世界。因此，探究《洛神赋图》对《洛神赋》的形象阐释，是领会《洛神赋图》《洛神赋》“语-图互文”要义的关键命题。
對《洛神賦》的人物形象的闡釋是《洛神賦圖》的要義之一。顧愷之以人物畫擅長，《洛神賦圖》中人物是中心和主體；而《洛神賦》故事的深層底蘊在于錶現瞭人的一種精神世界。因此，探究《洛神賦圖》對《洛神賦》的形象闡釋，是領會《洛神賦圖》《洛神賦》“語-圖互文”要義的關鍵命題。
대《락신부》적인물형상적천석시《락신부도》적요의지일。고개지이인물화천장，《락신부도》중인물시중심화주체；이《락신부》고사적심층저온재우표현료인적일충정신세계。인차，탐구《락신부도》대《락신부》적형상천석，시령회《락신부도》《락신부》“어-도호문”요의적관건명제。
One of the main ideas of the painting The Goddess of the Lo River is to give an interpreta-tion of the figures in the prose-poem The Lyric for Lo River Goddess.As the painter Gu Kaizhi was good at figure paintings , figures are the center and main part of the painting .While the profound meaning of the prose-poem is to present the spirit of man , it is important for us to explore the paint-ing's graphical interpretation of the prose-poem so as to understand the intertextuality between the two.
