CAJ | 학술논문

下场诗是戏曲特有的表演程式，为剧中人物下场时所念的诗。它在戏曲中的发展经历了一个过程，即从最初的很少采用下场诗到文人参与创作带来的精致的集句形式。《长生殿》的下场诗就是用集唐诗写成的，洪昇多采用唐诗中的清词丽句来写作下场诗，并能与剧情高度贴合，取得很高的艺术成就。
하장시시희곡특유적표연정식，위극중인물하장시소념적시。타재희곡중적발전경력료일개과정，즉종최초적흔소채용하장시도문인삼여창작대래적정치적집구형식。《장생전》적하장시취시용집당시사성적，홍승다채용당시중적청사려구래사작하장시，병능여극정고도첩합，취득흔고적예술성취。
Exit poetry, a unique performance formula in opera, has experienced a process of development in the opera, from the rare use of exit poetry to the exquisite set of sentences involving literati’s creation. The exit poetry in the Palace of Eternal Youth was written in the form of collection of Tang poems, in which Hong Sheng mostly wrote with elegant phrases and refined sentences, and made rather high artistic achievements.