CAJ | 학술논문

晚唐五代时期，后蜀赵崇祚选录了18位文人的词作，合为《花间集》。花间词是他们在酒筵歌席的享乐人生中应时而创的“无心之作”。然而，惟因其“无心”，才使得《花间集》具有了一种耐人寻味的男性视角，多方位地呈现了众多女性的美，其中包括：深闺隐约的身影；交欢欲望的沉迷；相思情感的深婉；慵倦绰约的风情。
만당오대시기，후촉조숭조선록료18위문인적사작，합위《화간집》。화간사시타문재주연가석적향악인생중응시이창적“무심지작”。연이，유인기“무심”，재사득《화간집》구유료일충내인심미적남성시각，다방위지정현료음다녀성적미，기중포괄：심규은약적신영；교환욕망적침미；상사정감적심완；용권작약적풍정。
During the late Tang and Five Dynasty period, Zhao Chongzuo selected some poems from 18 poets in Hou Shu, which were collected in the collection Hua Jian.The authors of Hua Jian, were some of the literati with unconventional and straight forward nature, wrote the poems in banquet songs and mat pleasure.However, due to the“mood”, Hua Jian had an afford much food for thought from the male perspective.Therefore, from this perspective, “Hua Jian” presented many multi-faceted beauty of women, including:purdah faint shadow;sex desire addiction;deep acacia feelings;lethargy and graceful style.