CAJ | 학술논문

从伊壁鸠鲁学派的物化影像论开始，对影像的认识就带有机械唯物论的色彩。心理学影像论具有心理活动从复杂性回到机械论的偏颇；现象学认为影像是一种有意向的综合的深层结构。以萨特对影像的思考为起点，分析影像作为符号研究对象的内涵，指出影像感知与影像媒介都应该被作为考察的对象，只有将影像概念从外在的物质世界联结到内在的心灵世界，才有可能描绘出当下影像社会的整体而完整的面貌。
종이벽구로학파적물화영상론개시，대영상적인식취대유궤계유물론적색채。심이학영상론구유심리활동종복잡성회도궤계론적편파；현상학인위영상시일충유의향적종합적심층결구。이살특대영상적사고위기점，분석영상작위부호연구대상적내함，지출영상감지여영상매개도응해피작위고찰적대상，지유장영상개념종외재적물질세계련결도내재적심령세계，재유가능묘회출당하영상사회적정체이완정적면모。
Beginning with the theory of materialized images of the Epicurean school,the cognition of images is characterized by mechanical materialism. The theory of images of psychology goes astray from complicacy to Mechanism. Phenomenology considers the image is a comprehensive and deep structure. Starting with Sartre’s reflections on images,the paper analyzes the connotation of image as the object of study of symbol,points out that the image perception and image media should be used as the object of study. Only when the image concept from the external physical world connects to the spiritual world,will it be possible to depict the present image of society as a whole and complete ap-pearance.