CAJ | 학술논문

从浙西地域文化传统的角度对徐志摩诗风的“轻柔”“多情”“飘逸”进行了文化溯源性探讨，可以发现：它与浙西文化的“水性”品格、“尊情”传统、“尚自由”的风尚有着密切的对应关系。特别值得指出的是，徐志摩诗风中的“艳”“俗”，显然受到过江南宫体诗、艳情诗的影响，但其却不失“雅”的品格，这与浙西文化追求的“雅俗共济”与“醇雅清空”的特点存在着较强的对应关系。
종절서지역문화전통적각도대서지마시풍적“경유”“다정”“표일”진행료문화소원성탐토，가이발현：타여절서문화적“수성”품격、“존정”전통、“상자유”적풍상유착밀절적대응관계。특별치득지출적시，서지마시풍중적“염”“속”，현연수도과강남궁체시、염정시적영향，단기각불실“아”적품격，저여절서문화추구적“아속공제”여“순아청공”적특점존재착교강적대응관계。
The paper made a research into the cultural origin of Xu’s poems’style---“gentleness”,“passion”,“elegance”---from the perspective of geographical and cultural traditions of western Zhejiang,for the cultural traceability can be found.Xu’s poems have much to do with western Zhej iang culture:“water-based”character,“respect Love”tradition and “freedom”fashion.It is particularly worth noting that the poems’“brilliance”,“vulgarity”,appears to have resulted from the impact of erotic poetry of the southern palace poetry,but without losing its elegance,which is the pursuit of western Zhejiang Culture “Refined Vulgarity”and “Purified Elegance”.