中山大学学报(自然科学版)
中山大學學報(自然科學版)
중산대학학보(자연과학판)
ACTA SCIENTIARUM NATURALIUM UNIVERSITATIS SUNYATSENI
2014年
6期
118-126
,共9页
莫默%丘志力%张跃峰%李榴芬%吴沫%罗涵
莫默%丘誌力%張躍峰%李榴芬%吳沫%囉涵
막묵%구지력%장약봉%리류분%오말%라함
彩色宝玉石%出土文物%文化交流%古代丝绸之路
綵色寶玉石%齣土文物%文化交流%古代絲綢之路
채색보옥석%출토문물%문화교류%고대사주지로
colored gems &jades%archaeological findings%cultural exchange%ancient silk roads
基于中国古代彩色宝玉石的大量考古发现并结合文献研究成果,探讨了中国古代彩色宝玉石使用3次高潮的形成及其与古代丝绸之路中外文化交流的关系。中国古代彩色宝玉石使用的第一次高潮发生在汉魏时期,考古发现的彩色宝石包括蓝色绿松石、青金石、红色宝石、珊瑚、琥珀、玛瑙等;第二次高潮延续在唐宋(辽),考古发现的彩色宝石除了第一次高潮常见宝石外,出现了真正的红宝石、蓝宝石和托帕石;第三次高潮主要出现在明清,重要的彩色宝石种类包括红宝石、蓝宝石、祖母绿、猫眼、青金石、碧玺和绿色翡翠。第一次爆发和中国人沿北方丝绸之路对中亚的探索及其文化交流有关;第二次爆发则和唐宋时期非常频繁的中西方贸易及互动性的民族文化交流融合有关;第三次爆发的原因比较复杂,分别和明朝主动通过海上丝绸之路打开中国通往西方之门及清朝被西方用武力打破封闭,西学东渐,导致西南丝绸之路带来绿色翡翠打破本来由和田玉主导的白玉文化有关,前期是中国主动和国外进行商品贸易的产物,后期则是外国坚船利炮带来的副产品。考古证据显示,中国古代彩色宝玉石文化的形成是丝绸之路上中西方文化碰撞和交流互动的结果,但古代多数重要的彩色宝石主要来自境外,因此,某种意义上来说,首符次德的彩色宝玉石文化是一种舶来文化。
基于中國古代綵色寶玉石的大量攷古髮現併結閤文獻研究成果,探討瞭中國古代綵色寶玉石使用3次高潮的形成及其與古代絲綢之路中外文化交流的關繫。中國古代綵色寶玉石使用的第一次高潮髮生在漢魏時期,攷古髮現的綵色寶石包括藍色綠鬆石、青金石、紅色寶石、珊瑚、琥珀、瑪瑙等;第二次高潮延續在唐宋(遼),攷古髮現的綵色寶石除瞭第一次高潮常見寶石外,齣現瞭真正的紅寶石、藍寶石和託帕石;第三次高潮主要齣現在明清,重要的綵色寶石種類包括紅寶石、藍寶石、祖母綠、貓眼、青金石、碧璽和綠色翡翠。第一次爆髮和中國人沿北方絲綢之路對中亞的探索及其文化交流有關;第二次爆髮則和唐宋時期非常頻繁的中西方貿易及互動性的民族文化交流融閤有關;第三次爆髮的原因比較複雜,分彆和明朝主動通過海上絲綢之路打開中國通往西方之門及清朝被西方用武力打破封閉,西學東漸,導緻西南絲綢之路帶來綠色翡翠打破本來由和田玉主導的白玉文化有關,前期是中國主動和國外進行商品貿易的產物,後期則是外國堅船利砲帶來的副產品。攷古證據顯示,中國古代綵色寶玉石文化的形成是絲綢之路上中西方文化踫撞和交流互動的結果,但古代多數重要的綵色寶石主要來自境外,因此,某種意義上來說,首符次德的綵色寶玉石文化是一種舶來文化。
기우중국고대채색보옥석적대량고고발현병결합문헌연구성과,탐토료중국고대채색보옥석사용3차고조적형성급기여고대사주지로중외문화교류적관계。중국고대채색보옥석사용적제일차고조발생재한위시기,고고발현적채색보석포괄람색록송석、청금석、홍색보석、산호、호박、마노등;제이차고조연속재당송(료),고고발현적채색보석제료제일차고조상견보석외,출현료진정적홍보석、람보석화탁파석;제삼차고조주요출현재명청,중요적채색보석충류포괄홍보석、람보석、조모록、묘안、청금석、벽새화록색비취。제일차폭발화중국인연북방사주지로대중아적탐색급기문화교류유관;제이차폭발칙화당송시기비상빈번적중서방무역급호동성적민족문화교류융합유관;제삼차폭발적원인비교복잡,분별화명조주동통과해상사주지로타개중국통왕서방지문급청조피서방용무력타파봉폐,서학동점,도치서남사주지로대래록색비취타파본래유화전옥주도적백옥문화유관,전기시중국주동화국외진행상품무역적산물,후기칙시외국견선리포대래적부산품。고고증거현시,중국고대채색보옥석문화적형성시사주지로상중서방문화팽당화교류호동적결과,단고대다수중요적채색보석주요래자경외,인차,모충의의상래설,수부차덕적채색보옥석문화시일충박래문화。
Based on abundant archaeological findings as well as documentary records,three climaxes of colored gems and jades utilization were indentified in Chinese history,which were naturally formed in the communication between Chinese and foreign cuture along ancient silk roads.The first climax occurred in Han-Wei Period with colored jewelries such as turquoise,lapis lazuli,red gems,coral,amber,agate, etc.in the archaeological findings.The second climax were in Tang-Song (Liao)Dynasty being accom-panied by the utilization of the most precious gems like ruby,sapphire and topaz as well as those in the first climax.The third climax occurred in Ming-Qing Dynasty with important gems&jades such as ruby, sapphire,emerald,cat’s eye,lapis lazuli,tourmaline and green jadeite.The first peak utilization of col-ored gems and jades is initiated by Chinese people exploring central Asia through Northern Silk Road. The second is rooted in the prosperous Sino-western commercial and cultural connections during Tang-Song (Liao)Dynasty.The third climax,being born with relatively complex reasons,first derived from the active goods trade in Ming Dynasty along the Maritime Silk Road because of China’s open to the west, and finally formed in the military pressure from western countries in the Qing Dynasty.In the third cli-max,introduction of green jadeites along Southeast Maritime Silk Road led Chinese jade culture into a new period with a transition from nephrite-dominated to jadeite &nephrite-dominated jade culture.Ar-chaeological findings reveal that China’s colored gems &jades culture was developed in the communica-tion between Chinese and western culture along ancient silk roads.In the meantime,major colored gems and jades were imported from overseas countries.So the colored gems&jades culture in China,valuing more color rather than texture,is a kind of exotic culture.