CAJ | 학술논문

作为相对静态的接受对象，文学文本只有在读者视域与文本视域融合中才能获得意义的生成。期待视域对于文学文本的阅读接受起着重要作用。在对接受对象的选择、对文本的理解和再创造及对文本的评价三个方面，接力版“暮光之城”系列小说较好地把握了期待视域对于读者接受的影响，既有益于读者视域和文本视域间的有效融合，同时也为读者带来异域文化的新体验，为满足读者阅读审美期待、扩展读者的期待视域提供了有效的空间。
작위상대정태적접수대상，문학문본지유재독자시역여문본시역융합중재능획득의의적생성。기대시역대우문학문본적열독접수기착중요작용。재대접수대상적선택、대문본적리해화재창조급대문본적평개삼개방면，접력판“모광지성”계렬소설교호지파악료기대시역대우독자접수적영향，기유익우독자시역화문본시역간적유효융합，동시야위독자대래이역문화적신체험，위만족독자열독심미기대、확전독자적기대시역제공료유효적공간。
A literary text, as an object of relatively static acceptance, is meaningful only in integration of both reader horizon and textu-al horizon. Horizons of expectation play an important role in the reading acceptance. In respect of selection of acceptance objects, understanding and re-creation of the text and textual evaluation, the relay version of Twilight series better seizes the influence of hori-zons of expectation on readers and helps the fusion of both reader horizon and textual horizon. Meanwhile, it brings the readers a new experience of the foreign culture and provides an effective space in order to meet the aesthetic expectations of readers and expand the reader's horizons of expectation.