巢湖学院学报
巢湖學院學報
소호학원학보
CHAOHU TEACHERS COLLEGE JOURNAL
2014年
5期
58-64
,共7页
唐代乐府诗%以文为诗%诗歌声律%诗乐关系%古文运动
唐代樂府詩%以文為詩%詩歌聲律%詩樂關繫%古文運動
당대악부시%이문위시%시가성률%시악관계%고문운동
Yuefu poems in the Tang Dynasty%“taking proses as poems”%poetic rhythm%relationship between poetry and music%Classical Prose Movement
唐乐府总体上有较明显的格律化倾向，但少量诗作又表现出“以文为诗”的特点，与近体诗声律要求相差很大，多使用散文语法和散文笔法，从而增加了唐乐府风格的多样性和声律的复杂性。唐乐府“相和歌辞”、“新乐府辞”中“以文为诗”之作的出现既是相关诗作不入乐的结果，又是李白、元稹、白居易、僧贯休、僧齐己等作家个人风格的体现，还受到唐代古文运动的影响，也在一定程度上反映出近体诗声律对诗歌内容的束缚。
唐樂府總體上有較明顯的格律化傾嚮，但少量詩作又錶現齣“以文為詩”的特點，與近體詩聲律要求相差很大，多使用散文語法和散文筆法，從而增加瞭唐樂府風格的多樣性和聲律的複雜性。唐樂府“相和歌辭”、“新樂府辭”中“以文為詩”之作的齣現既是相關詩作不入樂的結果，又是李白、元稹、白居易、僧貫休、僧齊己等作傢箇人風格的體現，還受到唐代古文運動的影響，也在一定程度上反映齣近體詩聲律對詩歌內容的束縳。
당악부총체상유교명현적격률화경향，단소량시작우표현출“이문위시”적특점，여근체시성률요구상차흔대，다사용산문어법화산문필법，종이증가료당악부풍격적다양성화성률적복잡성。당악부“상화가사”、“신악부사”중“이문위시”지작적출현기시상관시작불입악적결과，우시리백、원진、백거역、승관휴、승제기등작가개인풍격적체현，환수도당대고문운동적영향，야재일정정도상반영출근체시성률대시가내용적속박。
On the whole, the metrical trend is much obvious in Yuefu Poems in the Tang Dynasty. But A small amount of poems demonstrate the feature of taking proses as poems, which is greatly distinct from the modern poetry rhymes, and maily apply prose grammar and writing techniques, thus increasing the diversity of the Yuefu style and the complexity of sound rhythms. The emergence of “taking proses as poems” in the “Xianghe songs”and “new Yuefu songs” of Yuefu peoms contributes to not entering Yuefu of relevant poems and the embodiment of Li Bai’s, Yuan Zhen’s, Bai Juyi’s, Guan Xiu’s, Qi Ji’s personal styles. Their occurance is also affected by the Classical Prose Movement, but to some extent it reflects constraints of modern poetry rhythms on poetry contents.
