CAJ | 학술논문

鲁迅自己认为《铸剑》是写得较为认真的小说，因而长期以来学界分析解读这个小说用力很多，大多数研究通过传统“故事”的“新编”来分析小说铸造的复仇英雄。这种古今的审视往往忽视了中西的视域，而且看不到古今中西的文化元素在《铸剑》中的并置和融合，因而在古今中西汇通的视域中来重新解析小说的复仇英雄能够看到眉间尺和宴之敖形象的文化复杂性，从而为解读鲁迅晚年的小说提供开阔的文化视野。
로신자기인위《주검》시사득교위인진적소설，인이장기이래학계분석해독저개소설용력흔다，대다수연구통과전통“고사”적“신편”래분석소설주조적복구영웅。저충고금적심시왕왕홀시료중서적시역，이차간불도고금중서적문화원소재《주검》중적병치화융합，인이재고금중서회통적시역중래중신해석소설적복구영웅능구간도미간척화연지오형상적문화복잡성，종이위해독로신만년적소설제공개활적문화시야。
Lu Xun thought Zhu Jian(Casting sword) is seriously written by himself , so, for a long time, there are many researchers who have been studying the short story .Unfortunately , most of researchers think the re-venge hero in Zhu Jian is designed only by adapting traditional story .This analysis ignores the influence of western culture on Zhu Jian.In fact, the revenge hero , Mei Jianchii or Yan Zhiao in Zhu Jian, is the outcome of integra-ting artistically ancient and modern , Chinese and western cultural elements .If we do so , we will have an open per-spective to research Zhu Jian .