CAJ | 학술논문

德国作家威廉·格纳齐诺早期的作品多采用零聚焦叙事视角，而1989年后的小说则多采用固定式内聚焦叙事视角。这种转变使叙述者在文本中的聚焦位置﹑聚焦范围和叙事方式随之发生了变化。作品也由早期的按时间顺序展开﹑直线式的叙述结构转向了以人物心理为线索﹑不连贯性和随意性的叙述结构。格纳齐诺前后期作品叙事视角的变化以及随之所带来的作品结构的变化与作家的创作意图﹑文本所突出的内容有着密切的联系。
덕국작가위렴·격납제낙조기적작품다채용령취초서사시각，이1989년후적소설칙다채용고정식내취초서사시각。저충전변사서술자재문본중적취초위치﹑취초범위화서사방식수지발생료변화。작품야유조기적안시간순서전개﹑직선식적서술결구전향료이인물심리위선색﹑불련관성화수의성적서술결구。격납제낙전후기작품서사시각적변화이급수지소대래적작품결구적변화여작가적창작의도﹑문본소돌출적내용유착밀절적련계。
Zero focalization is often used in the early works of German writer Wilhelm Genazino, while after 1989 he often uses fixed internal focalization. The changes in his narrative perspective bring about the narrators’ changes in focus position, range and narrative style. The narrative structure of his works shifts accordingly from the chronological and linear order to a incoherent and casual order based on characters’ psychological changes. The change of narrative perspective and the subsequent diversification of narrative structure are associated closely with the creative intention of the writer and the highlight of the text content.