CAJ | 학술논문

内地大众音乐选秀时代从诞生就充满坎坷，一路在争议声中走过，最终在历经了得与失之后以《中国好声音》突破重围，获得一片赞赏声。本文试图探讨总结选秀节目成功的经验，并从“音乐审美的真与善”、“精英文化和大众文化的融合”、“师生平等对话的语境”等几方面对当前高校专业音乐教育现状进行思考，提出了探索高校专业音乐教育人才培养新模式的主张。
내지대음음악선수시대종탄생취충만감가，일로재쟁의성중주과，최종재력경료득여실지후이《중국호성음》돌파중위，획득일편찬상성。본문시도탐토총결선수절목성공적경험，병종“음악심미적진여선”、“정영문화화대음문화적융합”、“사생평등대화적어경”등궤방면대당전고교전업음악교육현상진행사고，제출료탐색고교전업음악교육인재배양신모식적주장。
In mainland China,public music talent shows have met twists and turns right at the start,and have been through many controversies. However,after the vicissitudes,they reached out to be a success through The Voice of China,and began to receive compliments from the public. This essay aims to discuss and sum up the successful experiences of talent shows,and reflect on College professional music education from the aspects of“the truth and the good of music aesthetic”,“the integration of elite culture and mass culture”,“the context of teacher - student equal conversation”. It also puts forward a new model of how to train university music majors.