CAJ | 학술논문

鲁艺的艺术教育在发展过程中出现了“关门提高”的倾向，这种带有教条主义色彩的错误倾向导致了理论与实际脱节，学与用分离。毛泽东在延安文艺座谈会上的讲话，指明中国新文艺应“面向工农兵”的新方向，解决了过去许多年来中国新文艺运动史上所未曾解决的原则问题，也直接指导了鲁艺的艺术教育和艺术活动的根本改造。文艺座谈会后，鲁艺对艺术教育中出现的问题进行了彻底的反思，积极调整了教育方针，重新进入了正确发展的轨道。
로예적예술교육재발전과정중출현료“관문제고”적경향，저충대유교조주의색채적착오경향도치료이론여실제탈절，학여용분리。모택동재연안문예좌담회상적강화，지명중국신문예응“면향공농병”적신방향，해결료과거허다년래중국신문예운동사상소미증해결적원칙문제，야직접지도료로예적예술교육화예술활동적근본개조。문예좌담회후，로예대예술교육중출현적문제진행료철저적반사，적겁조정료교육방침，중신진입료정학발전적궤도。
There is a tendency of close-door development in edu-cation of art of LAA. The wrong tendency of doctrinairism leads to two kinds of separation of theory-practice and study-use. The Talks at the yan'an Forum on Art and Literature point out that Chinese new literature and art should face the workers, peasants and soldiers. The Talks settle many difficulties on matters of principle, and directly lead to the entire reconstruction of art ed-ucation and artistic activities at Luxun Academy of Art. After the Talks at the yan'an Forum On Art and Literature, Luxun Acade-my of Art adjust the education policy, and enters the right track of development.