CAJ | 학술논문

丁玲延安时期的小说《夜》是其小说创作上的过渡性文本，也是“革命＋恋爱”的另类文本。丁玲在文本中秉承自主意识，同时采取回避绕开和突破超越“红色文艺”的叙事策略，由此在作者主体意识与政治意识、主人公男性革命意识的建构与女性意识的解构中凸显、构成矛盾冲突，形成文本张力的纠结和内在平衡，构成小说精巧的景致和浑融的境界。
정령연안시기적소설《야》시기소설창작상적과도성문본，야시“혁명＋연애”적령류문본。정령재문본중병승자주의식，동시채취회피요개화돌파초월“홍색문예”적서사책략，유차재작자주체의식여정치의식、주인공남성혁명의식적건구여녀성의식적해구중철현、구성모순충돌，형성문본장력적규결화내재평형，구성소설정교적경치화혼융적경계。
The Night, a novel Ding Ling wrote during the Yan'an period , is not only a transitional text of her novel writing but also a different text of "revolution +love".Adhering to independent consciousness , Ding Ling takes the narrative strategy of avoiding and breaking through "red +literature and art"in this novel , thereby high-light and form conflict while constructing subject consciousness and political consciousness of the author and men 's revolutionary consciousness of the protagonist , and deconstructing feminist consciousness , forming a inner balance and a tension entanglement of the text , making the novel exquisite and inclusive .