泉州师范学院学报
泉州師範學院學報
천주사범학원학보
JOURNAL OF QUANZHOU NORMAL COLLGEG
2014年
5期
72-75
,共4页
形似%物我相融%意象%造型%笔墨%边界
形似%物我相融%意象%造型%筆墨%邊界
형사%물아상융%의상%조형%필묵%변계
Shape%complex%Blending image modeling%pen and ink
“似与不似”的美学命题是在中国艺术千余年发展基础上的归纳与总结，凝聚着历代艺术家的真知灼见，比“神”、“气韵”、“意”等更直接、更明了，更一语道破中国画的本质。本文拟对“似与不似”的概念衍变及其在绘画上的处理手法进行界定与梳理，以此探寻传统中国画的美学特征及其发展轨迹，并进一步思考这一命题对当代艺术发展的启示。
“似與不似”的美學命題是在中國藝術韆餘年髮展基礎上的歸納與總結，凝聚著歷代藝術傢的真知灼見，比“神”、“氣韻”、“意”等更直接、更明瞭，更一語道破中國畫的本質。本文擬對“似與不似”的概唸衍變及其在繪畫上的處理手法進行界定與梳理，以此探尋傳統中國畫的美學特徵及其髮展軌跡，併進一步思攷這一命題對噹代藝術髮展的啟示。
“사여불사”적미학명제시재중국예술천여년발전기출상적귀납여총결，응취착역대예술가적진지작견，비“신”、“기운”、“의”등경직접、경명료，경일어도파중국화적본질。본문의대“사여불사”적개념연변급기재회화상적처리수법진행계정여소리，이차탐심전통중국화적미학특정급기발전궤적，병진일보사고저일명제대당대예술발전적계시。
Aesthetic proposition of “like and unlike”is based on the summary of Chinese art for thou-sands of years,condensing the artist's high perspicacity,more direct and clear than “God”,“spirit”,“meaning”,making remark about the essence of Chinese painting.In this paper the concept develop-ment of “like and unlike”and its processing technique in painting are defined and combed,the author tries to explore the aesthetic features of Chinese painting and its development,and further considera-tion of this proposition on contemporary art development.
