CAJ | 학술논문

以中文数字作为谱字符号的二四乐谱，已是中国当前所见遗存的传统音乐谱种中，较为罕见的一种乐谱形态。乐谱中所体现出地域和时代文化的积淀，正是音乐界专家、学者对其产生浓郁兴趣的原因。关于二四谱的研究，从20世纪下半叶开始，除了一般综合性的介绍和梳理外，主要涉及其使用范围、历史成因、宗源、性质以及与工尺谱的关系等论述。该文将这些研究成果按类别加以综述。
이중문수자작위보자부호적이사악보，이시중국당전소견유존적전통음악보충중，교위한견적일충악보형태。악보중소체현출지역화시대문화적적정，정시음악계전가、학자대기산생농욱흥취적원인。관우이사보적연구，종20세기하반협개시，제료일반종합성적개소화소리외，주요섭급기사용범위、역사성인、종원、성질이급여공척보적관계등논술。해문장저사연구성과안유별가이종술。
Two-four notation is a rare notation form in the remains of Chinese traditional music notation species. As music embodies the era of geographical and cultural heritage, it is a reason that many experts and scholars take a strong interest in music. As for the research of two-four notation, from the beginning of the sec?ond half of the 20th century, in addition to the general introduction and a comprehensive combing, studies were mainly related to its use, the historical causes, the source, its nature and the relationship with Gongchi notation and so on. In this paper, the results of these studies are stated by category.