CAJ | 학술논문

美国华裔作家汤亭亭的作品《女勇士》，自出版之日起就一直饱受争议。对于该作品是小说还是自传，对中国文化的误读是有意为之还是无意之过，评论界一直莫衷一是。从《女勇士》的文体定性以及作品中对中国文化的误读误译角度，对汤亭亭虚实相间的写作风格进行分析，表明了汤亭亭借助作品文体的模糊性和中国文化的解构建构来揭示少数族裔和中国女性寻求自我、寻求发展的艰难历程。
미국화예작가탕정정적작품《녀용사》，자출판지일기취일직포수쟁의。대우해작품시소설환시자전，대중국문화적오독시유의위지환시무의지과，평론계일직막충일시。종《녀용사》적문체정성이급작품중대중국문화적오독오역각도，대탕정정허실상간적사작풍격진행분석，표명료탕정정차조작품문체적모호성화중국문화적해구건구래게시소수족예화중국녀성심구자아、심구발전적간난역정。
The Woman Warrior by Maxine Hong Kingston, a Chinese American writer, has been a subject of controversy since its pub-lication. The argument mainly focuses on the genre of the wring and the employment of Chinese cultures in the work. Whether it’s a novel or an autobiography, and whether Chinese cultures are deliberately misread or accidently misunderstood, no unanimous conclu-sion can be drawn. Therefore, from the perspectives of the genre and the cultural misreading in The Woman Warrior, the paper tends to study the unique writing style of mixing authenticity and invention with which Maxine Hong Kingston intends to reveal the hardship ex-perienced when the American minorities and the Chinese women want to seek self-identity and self-development.