绵阳师范学院学报
綿暘師範學院學報
면양사범학원학보
JOURNAL OF MIANYANG NORMAL UNIVERSITY
2014年
10期
150-154
,共5页
燕南芝庵%《唱论》%宫调理论%元杂剧%五宫四调
燕南芝菴%《唱論》%宮調理論%元雜劇%五宮四調
연남지암%《창론》%궁조이론%원잡극%오궁사조
Yan Nanzhian%The Theory of Singing%Gong -Diao theory%Yuan Zaju plays%five Gong and four Diao
燕南芝庵的《唱论》是迄今为止所发现的元人最早提及宫调理论的著作,他在书中说:大凡声音,有六宫十一调,共十七宫调。本文从元代“宫调”理论应用概况、元杂剧宫调应用与燕南芝庵宫调理论的一致性、元杂剧对燕南芝庵宫调理论的发展等三方面对芝庵宫调理论与元杂剧中宫调应用的关系进行了分析和论述,以期能透过形式而窥其本质,寻求芝庵宫调理论的合理内核,提示人们对音乐艺术规律的研究是永无止境的。
燕南芝菴的《唱論》是迄今為止所髮現的元人最早提及宮調理論的著作,他在書中說:大凡聲音,有六宮十一調,共十七宮調。本文從元代“宮調”理論應用概況、元雜劇宮調應用與燕南芝菴宮調理論的一緻性、元雜劇對燕南芝菴宮調理論的髮展等三方麵對芝菴宮調理論與元雜劇中宮調應用的關繫進行瞭分析和論述,以期能透過形式而窺其本質,尋求芝菴宮調理論的閤理內覈,提示人們對音樂藝術規律的研究是永無止境的。
연남지암적《창론》시흘금위지소발현적원인최조제급궁조이론적저작,타재서중설:대범성음,유륙궁십일조,공십칠궁조。본문종원대“궁조”이론응용개황、원잡극궁조응용여연남지암궁조이론적일치성、원잡극대연남지암궁조이론적발전등삼방면대지암궁조이론여원잡극중궁조응용적관계진행료분석화논술,이기능투과형식이규기본질,심구지암궁조이론적합리내핵,제시인문대음악예술규률적연구시영무지경적。
Up to now, The Theory of Singing by Yan Nanzhian is the earliest work from Yuan dynasty in which Gong -Diao theory is mentioned.In his book, Yan Nanzhian stated that of all sounds, there are in total 17 Gong -Diao, including 6 Gong and 11 Diao.This paper examines and analyzes the connection between Yan Nanzhian's Gong -Diao theory and the application of this theory in Yuan Zaju plays from three aspects as follows: the general application of the theory in Yuan dynasty, the consistence of the application of the theory in Yuan Zaju plays with Yan Nanzhian's theory, and the evolution of the theory prompted by Yuan Zaju plays.It is hoped that the nature and the rational core of Zhian Gong -Diao theory can be found through its form, and that people can be reminded of the fact that the study of music and art laws is endless.