CAJ | 학술논문

汪野亭和刘雨岑同为珠山八友成员，两者分别以山水画和花鸟画见长，影响深远。以汪野亭、刘雨岑瓷板画为研究对象，在比较两者身份属性、师法对象、人生经历及审美追求的基础上分析其创作异同，认为其作品共性是兼具画工品格和文人品格，而技法上汪的逸笔草草与刘的兼工带写是其大异，并由此导致前者趋雅、后者向俗的风格差异，而这又大致代表了珠山八友乃至景德镇瓷板画创作的两种理路走向。
왕야정화류우잠동위주산팔우성원，량자분별이산수화화화조화견장，영향심원。이왕야정、류우잠자판화위연구대상，재비교량자신빈속성、사법대상、인생경력급심미추구적기출상분석기창작이동，인위기작품공성시겸구화공품격화문인품격，이기법상왕적일필초초여류적겸공대사시기대이，병유차도치전자추아、후자향속적풍격차이，이저우대치대표료주산팔우내지경덕진자판화창작적량충리로주향。
Wang Yeting and Liu Yucen are both members of“Eight Friends of Zhushan”, and are respectively proficient with landscape painting and bird-and-flower painting which is very influential. This paper takes Wang Yeting and Liu Yucen’s porcelain plate paintings as research objects, analyses the similarities and differences of their creation based on the comparison of their identity, masters imitated, life experience and aesthetic pursuit. This paper holds that both of them have commercial painter’s character and literati’s moral character. However, the most distinguishing difference is that Wang’s paintings has a free style while Liu’s is featured with the unity of form and spirit, leading to the style difference that the former tends to be elegant and the latter vulgar. This difference can be regarded as the creation logic of the porcelain painting of“Eight Friends of Zhushan”and even Jingdezhen City.