CAJ | 학술논문

庞德与艾略特是20世纪初意象派诗歌的代表人物，庞德对艾略特早期的诗歌创作有较大的影响，但之后两人形成了不同的诗学思想体系。通过比较分析两者的诗学理论和作品，发现庞德崇尚简约典雅的意象，强调以赋格的形式组织诗篇，以漩涡式的主题统摄诗歌，并追求东方式的诗歌境界。而艾略特的非个性化理论则深受法国象征主义影响，提出以客观对应物融合感受和思想，通过物像构成复杂的象征体系，以情感逃避的方式体现人类普遍情感。面对破碎的现实世界，两者都试图在诗歌中重塑艺术的一致性。
방덕여애략특시20세기초의상파시가적대표인물，방덕대애략특조기적시가창작유교대적영향，단지후량인형성료불동적시학사상체계。통과비교분석량자적시학이론화작품，발현방덕숭상간약전아적의상，강조이부격적형식조직시편，이선와식적주제통섭시가，병추구동방식적시가경계。이애략특적비개성화이론칙심수법국상정주의영향，제출이객관대응물융합감수화사상，통과물상구성복잡적상정체계，이정감도피적방식체현인류보편정감。면대파쇄적현실세계，량자도시도재시가중중소예술적일치성。
Both Ezra Pound and T. S. Eliot are representatives of the imagist poetry at the beginning of 20th century. With Pound's impact on Eliot's early composition, they have finally formed diverse poetics systems. A contrastive analysis of their poetics and poems is conducted to reveal dissimilarities between them. Pound, in favor of concise and graceful images, emphasizes the governing theme of a poem as a vortex and the construction of poetry in the form of Fugue, so as to approach the oriental poetry spirit. In a contrast, T. S. Eliot's impersonality, deeply affected by French Symbolism, tends to integrate thought and sensibility into the objective correlative, and endeavors to formulate complicated symbolic systems constituted by object images to express the universal emotion of humanity by constraining the subjective convey of emotion. In a chaotic world, both Pound and Eliot attempt to reshape the consistency of arts.