广西民族师范学院学报
廣西民族師範學院學報
엄서민족사범학원학보
Journal of GuangXi Normal University for Nationalities
2013年
1期
1-3
,共3页
传统戏曲%现代化%欧阳予倩%桂剧改革
傳統戲麯%現代化%歐暘予倩%桂劇改革
전통희곡%현대화%구양여천%계극개혁
traditional opera%modernization%Ouyang Yuqian%Guiju reform
抗战期间,欧阳予倩将他一系列桂剧改革的理论与主张融合于具体的实践中,这种尝试实际上贯彻了“改戏”、“改人”、“改制”三并举的方针,这种对旧剧全方位的改革经验为后来新中国戏剧改革所运用.可以说,欧阳予倩的桂剧改革为中国传统戏曲的现代化提供了可借鉴的途径.
抗戰期間,歐暘予倩將他一繫列桂劇改革的理論與主張融閤于具體的實踐中,這種嘗試實際上貫徹瞭“改戲”、“改人”、“改製”三併舉的方針,這種對舊劇全方位的改革經驗為後來新中國戲劇改革所運用.可以說,歐暘予倩的桂劇改革為中國傳統戲麯的現代化提供瞭可藉鑒的途徑.
항전기간,구양여천장타일계렬계극개혁적이론여주장융합우구체적실천중,저충상시실제상관철료“개희”、“개인”、“개제”삼병거적방침,저충대구극전방위적개혁경험위후래신중국희극개혁소운용.가이설,구양여천적계극개혁위중국전통희곡적현대화제공료가차감적도경.
During the Anti-Japanese War, Ouyang Yuqian put a series of theories and ideas into Guiju reform, which actual y proves to be a tenta?tive of carrying out the policy of “Opera-reforming”, “Actor-reforming” and “System-reforming”. The experience of this overal traditional opera reform has been absorbed later in this circle after the foundation of Republic of China. In short, Ouyang Yuqian’s Guiju reform provides a valu?able perspective for the modernization of Chinese traditional opera reform.
