CAJ | 학술논문

本文作者通过所完成的1999年昆明世界园艺博览会江西展园“瓷园”、2006年沈阳世界园艺博览会南昌展园“豫章园”、景德镇两湖景区等三项设计总结了设计立意和创作方法以及表现形式,试图以此阐明园林景观设计的文化意象问题,认为园林景观设计必需具有自己本民族的文化气质,它的意象建立需要得到主客观交融后被受众认知和接受后才能成为优秀的设计作品.
본문작자통과소완성적1999년곤명세계완예박람회강서전완“자완”、2006년침양세계완예박람회남창전완“예장완”、경덕진량호경구등삼항설계총결료설계립의화창작방법이급표현형식,시도이차천명완림경관설계적문화의상문제,인위완림경관설계필수구유자기본민족적문화기질,타적의상건립수요득도주객관교융후피수음인지화접수후재능성위우수적설계작품.
@@@@The author analyses three projects including ‘Porcelain Garden’ in 1999 Kunming World Horticulture Exposition, Yuzhang Garden in 2006 Shenyang World Horticulture Exposition and Jingdezhen lakes area. He concludes the design intentions, methodologies and form of expression, and try to elucidate the cultural image of landscape design. He suggests landscape design should express the cultural making of its own nationality. It would be marked as good design work only when its image intergrades the subjective and objective elements, and be recognized and accepted by the users.