CAJ | 학술논문

美国印第安文艺复兴时期,涌现出一批具有民族自豪感的作家与诗人,他们把写作当作政治解放的武器,在其诗歌创作中强调对同化的抵制,表达出认同祖先文化传统的愿望.作为这一时期诗人的代表人物,乔伊·哈娇(Joy Harjo)、西蒙·欧提斯(Simon Ortiz)以及琳达·荷根(Linda Hogan)将诗歌创作建立在印第安口述文化传统之上,强调土地是印第安的记忆和文化之根,并透过灵性传统彰显异于主流文学的叙述模式、神话体系和信仰体系.
미국인제안문예복흥시기,용현출일비구유민족자호감적작가여시인,타문파사작당작정치해방적무기,재기시가창작중강조대동화적저제,표체출인동조선문화전통적원망.작위저일시기시인적대표인물,교이·합교(Joy Harjo)、서몽·구제사(Simon Ortiz)이급림체·하근(Linda Hogan)장시가창작건립재인제안구술문화전통지상,강조토지시인제안적기억화문화지근,병투과령성전통창현이우주류문학적서술모식、신화체계화신앙체계.
American Indian Renaissance marks the first milestone in the development of American Indian literature written in English. With a strong sense of national pride, a new generation of Indian writers and poets in this period took up writing as a weapon of political liberation, proclaiming their dismissal of assimilation and articulating the desire to identify with their ancestral heritages. As part of them, Joy Harjo, Simon Ortiz and Linda Hogan infused their poem composition with traditional Indian culture such as affiliation with land, storytelling and vision so as to highlight Indian narrative discourse and mythology that are different from the dominant culture.