CAJ | 학술논문

凯特·肖邦的小说以女性为叙述主体,采用狂欢化的叙事视角言说美国中产阶级女性自主意识的觉醒,彰显她对女性生存状态的关照和主体意识的思考.文章以肖邦的代表作品《一个小时的故事》、《一个正派女人》以及《觉醒》等为研究文本,对女主人公觉醒过程中呈现出的狂欢化文学品质进行了解读,认为肖邦从内容和形式的烘托比照中双向度突出小说主题的深刻内涵,构建了独具特色的“狂欢-颠覆-觉醒”三位一体的女性诗学.
개특·초방적소설이녀성위서술주체,채용광환화적서사시각언설미국중산계급녀성자주의식적각성,창현저대녀성생존상태적관조화주체의식적사고.문장이초방적대표작품《일개소시적고사》、《일개정파녀인》이급《각성》등위연구문본,대녀주인공각성과정중정현출적광환화문학품질진행료해독,인위초방종내용화형식적홍탁비조중쌍향도돌출소설주제적심각내함,구건료독구특색적“광환-전복-각성”삼위일체적녀성시학.
@@@@The carnival perspective is used by Kate Chopin to feature American middle-class women’s self–awareness awakening and pursue after female writer’s subjectivity, which builds a unique text writing strategy. This paper is supposed to study the connections between the cardinal factors as well as their expressions and the grave themes inherent in Chopin’s textuality, and approach into her triune feminine poetics.