宁波大学学报(人文科学版)
寧波大學學報(人文科學版)
저파대학학보(인문과학판)
JOURNAL OF NINGBO UNIVERSITY(LIBERAL ARTS EDITION)
2013年
2期
17-22
,共6页
《魔法师》%女性原则%阴性原则%世界观%阴郁
《魔法師》%女性原則%陰性原則%世界觀%陰鬱
《마법사》%녀성원칙%음성원칙%세계관%음욱
Magus%Female Principle%Yin Principle%Worldview%Effeminate Style
从中华文化的角度看,英国作家约翰·福尔斯的作品在物理属性、人格特质、文化观念和哲学属性等多个侧面上,弥漫着一股怪异的阴郁之气.小说物理场景封闭、阳光晦暗;象征物为阴部、蝴蝶标本、骷髅等死气沉沉之物;女性被动、从属、虚幻、客体化;男叙事者则性格分裂、阴柔无刚,创意耗竭;男性导师则阴阳怪气,诡异难测.作者本欲在封闭空间里设计出一套心理游戏,以假面游戏来发现叙事者的投射出深层心理问题,但由于自己过于专注于世界的阴柔内蕴的一面,而忽略了阳刚外显的一面,所以在不知不觉中,使作品笼罩在乏光、乏力、乏情、乏爱、不阳光、不阳刚、不充盈、不豪迈的浓重的阴气里.
從中華文化的角度看,英國作傢約翰·福爾斯的作品在物理屬性、人格特質、文化觀唸和哲學屬性等多箇側麵上,瀰漫著一股怪異的陰鬱之氣.小說物理場景封閉、暘光晦暗;象徵物為陰部、蝴蝶標本、骷髏等死氣沉沉之物;女性被動、從屬、虛幻、客體化;男敘事者則性格分裂、陰柔無剛,創意耗竭;男性導師則陰暘怪氣,詭異難測.作者本欲在封閉空間裏設計齣一套心理遊戲,以假麵遊戲來髮現敘事者的投射齣深層心理問題,但由于自己過于專註于世界的陰柔內蘊的一麵,而忽略瞭暘剛外顯的一麵,所以在不知不覺中,使作品籠罩在乏光、乏力、乏情、乏愛、不暘光、不暘剛、不充盈、不豪邁的濃重的陰氣裏.
종중화문화적각도간,영국작가약한·복이사적작품재물리속성、인격특질、문화관념화철학속성등다개측면상,미만착일고괴이적음욱지기.소설물리장경봉폐、양광회암;상정물위음부、호접표본、고루등사기침침지물;녀성피동、종속、허환、객체화;남서사자칙성격분렬、음유무강,창의모갈;남성도사칙음양괴기,궤이난측.작자본욕재봉폐공간리설계출일투심리유희,이가면유희래발현서사자적투사출심층심리문제,단유우자기과우전주우세계적음유내온적일면,이홀략료양강외현적일면,소이재불지불각중,사작품롱조재핍광、핍력、핍정、핍애、불양광、불양강、불충영、불호매적농중적음기리.
If explored from traditional Chinese culture, British writer John Fowles’ works are infused with a weird effeminate and gloomy atmosphere. Their settings are sunless and shaded, closed and fantastic domaines, the recurring symbols are vagina and fossils, skull, dried butterfly specimen;the female characters are passive, subordinate, fantastic and objectified;male narrators suffer a characterological fracture, weakness and a deficiency in creativity and productivity;Male tutors are freakish and elusive. Although the author had wished to design a psychological game in a closed domaine to mirror the deep-seated problems of the narrators, however, he unwittingly infuses his works densely with a weirdly withdrawn ambience of deficiency in light, caring, love, masculinity and power.