佳木斯教育学院学报
佳木斯教育學院學報
가목사교육학원학보
JOURNAL OF JUAMJUSI EDUCATION INSTITUTE
2013年
2期
75
,共1页
象外之象%气韵生动%抽象
象外之象%氣韻生動%抽象
상외지상%기운생동%추상
image%vivid%abstract
中国传统绘画的美学观念强调的是“境生于象外”,也就是说艺术境界来源于具体形象之外,所有的这些形象只是一个载体,构成了完整的一个外貌特征,但是这并不意味着对整个艺术表象的拆解.中国的绘画美学观点是主张其所运用的艺术表象是一种非表象的表象,是一种象外之象.画者是用“以形写神”的笔墨,画出了“气韵生动”的形象,即美学的“非表象的表象”.
中國傳統繪畫的美學觀唸彊調的是“境生于象外”,也就是說藝術境界來源于具體形象之外,所有的這些形象隻是一箇載體,構成瞭完整的一箇外貌特徵,但是這併不意味著對整箇藝術錶象的拆解.中國的繪畫美學觀點是主張其所運用的藝術錶象是一種非錶象的錶象,是一種象外之象.畫者是用“以形寫神”的筆墨,畫齣瞭“氣韻生動”的形象,即美學的“非錶象的錶象”.
중국전통회화적미학관념강조적시“경생우상외”,야취시설예술경계래원우구체형상지외,소유적저사형상지시일개재체,구성료완정적일개외모특정,단시저병불의미착대정개예술표상적탁해.중국적회화미학관점시주장기소운용적예술표상시일충비표상적표상,시일충상외지상.화자시용“이형사신”적필묵,화출료“기운생동”적형상,즉미학적“비표상적표상”.
The aesthetics of traditional Chinese painting emphasizes the"exit from appearance", that is to say the realm of art originated from a specific image, the image of all is only a carrier, constitute a completed feature, but this does not mean that the whole art form as dismantling.China painting aesthetics is advocated the use of artistic representation is a representation of the non-appearance, is a kind of image.The painting is"to write to God's words", paint“vivid”image, namely the aesthetics of"non image representation".
