CAJ | 학술논문

郑渊洁童话在天马行空的想象背后有一个强劲的构架支撑,本文以普罗普故事形态学为理论指导,通过五个叙事角色:主人公、主人公父母、施予者、阻挠者、实现自我的主人公,四个连接因素、九项功能分析郑渊洁童话的角色功能,得出其童话的模式化特征:故事开始于主人公的向往或缺失状态,这种向往或缺失状态导致了后文的离家与求索.在离家的状态中会遇到挫折,主人公历经挫折后实现自我.
정연길동화재천마행공적상상배후유일개강경적구가지탱,본문이보라보고사형태학위이론지도,통과오개서사각색:주인공、주인공부모、시여자、조뇨자、실현자아적주인공,사개련접인소、구항공능분석정연길동화적각색공능,득출기동화적모식화특정:고사개시우주인공적향왕혹결실상태,저충향왕혹결실상태도치료후문적리가여구색.재리가적상태중회우도좌절,주인공력경좌절후실현자아.
The fairy tales by Zhen Yuan-jie is strongly supported by a framework behind the unrestrained and vigorous style. With the application of the narrative morphology, this paper, analyzing five narra-tive roles: the protagonist, the parent of the protagonist, the giver, the obstructer, and the self-realized protagonist; four connecting factors and nine functions, concluded the characteristic of her fairy tale pat-tern: the story starts with the protagonist yearning for or missing that lead to leaving home and searching in subsequent texts. In the home leaving condition the protagonist encounters frustrations and fulfils his self-realization afterwards.