CAJ | 학술논문

研究空间、事件和漫游的关系,旨在研究构建氛围和事件对建筑的活力的影响.本文通过梳理关于“空间与知觉”的探索脉络,追溯了屈米、库哈斯等建筑师的理论根源.从艺术家对“空间与主观感知”的探索,到建筑流派对“空间与事件之间相互依存”的声明,发展到部分“用激发事件可能性来塑造空间”的解构主义手法,这一系列探索承前启后,都是针对现代主义理性控制的反抗和回应,也是事件空间作为主观倾向设计思路开始崭露头角的一方面历程.
연구공간、사건화만유적관계,지재연구구건분위화사건대건축적활력적영향.본문통과소리관우“공간여지각”적탐색맥락,추소료굴미、고합사등건축사적이론근원.종예술가대“공간여주관감지”적탐색,도건축류파대“공간여사건지간상호의존”적성명,발전도부분“용격발사건가능성래소조공간”적해구주의수법,저일계렬탐색승전계후,도시침대현대주의이성공제적반항화회응,야시사건공간작위주관경향설계사로개시참로두각적일방면역정.
Focusing on the relations between event space and flaneur, this paper discusses the impacts of ambiance and events constructed on architecture activity. And through sorting out the exploring skeletons of space and perception, the roots of theories of some great architects, such as Bernard Tschumi and Rem Koolhaas, was deeply traced . From the initial studies of artists over space and subjective experience, to the statement of architectural schools on the interedependency of space and event, and up to the deconstruction technique of event space,this bridging series of exploratory developments appear as resistance and responses against the rational control of modernism, and also meaningful process which indicates the emergence of “Event Space”as subjective design concept.