韩山师范学院学报
韓山師範學院學報
한산사범학원학보
JOURNAL OF HANSHAN TEACHERS COLLEGE
2013年
2期
1-11
,共11页
潮汕歌谣%修辞手法%辞格
潮汕歌謠%脩辭手法%辭格
조산가요%수사수법%사격
Chaoshan ballads%figures of speech%rhetorical skills
潮汕方言歌谣,是指流行于广东省潮州市、汕头市、揭阳市及海丰中部一带以潮汕方言为载体的一种民间口头文学.在845首潮汕歌谣的封闭研究对象中,使用最广泛的辞格依次是重叠、起兴、顶针、比喻、对比、铺排、比拟和夸张.起兴、比喻和比拟三种辞格共使用785处,使歌谣平添语音上的声律美、情感上的内敛美和形象上的表现力;运用对比、铺排、顶真的歌谣近500首,使歌谣语势连贯,语气连绵,结构严密,整齐匀称,达到语言均衡的美感;600多首歌谣运用了重叠,使歌谣凸显了强化语意和主题、增强音律和乐感;夸张辞格的巧妙使用,增强了歌谣表现生活的张力和感染力.
潮汕方言歌謠,是指流行于廣東省潮州市、汕頭市、揭暘市及海豐中部一帶以潮汕方言為載體的一種民間口頭文學.在845首潮汕歌謠的封閉研究對象中,使用最廣汎的辭格依次是重疊、起興、頂針、比喻、對比、鋪排、比擬和誇張.起興、比喻和比擬三種辭格共使用785處,使歌謠平添語音上的聲律美、情感上的內斂美和形象上的錶現力;運用對比、鋪排、頂真的歌謠近500首,使歌謠語勢連貫,語氣連綿,結構嚴密,整齊勻稱,達到語言均衡的美感;600多首歌謠運用瞭重疊,使歌謠凸顯瞭彊化語意和主題、增彊音律和樂感;誇張辭格的巧妙使用,增彊瞭歌謠錶現生活的張力和感染力.
조산방언가요,시지류행우광동성조주시、산두시、게양시급해봉중부일대이조산방언위재체적일충민간구두문학.재845수조산가요적봉폐연구대상중,사용최엄범적사격의차시중첩、기흥、정침、비유、대비、포배、비의화과장.기흥、비유화비의삼충사격공사용785처,사가요평첨어음상적성률미、정감상적내렴미화형상상적표현력;운용대비、포배、정진적가요근500수,사가요어세련관,어기련면,결구엄밀,정제균칭,체도어언균형적미감;600다수가요운용료중첩,사가요철현료강화어의화주제、증강음률화악감;과장사격적교묘사용,증강료가요표현생활적장력화감염력.
Chaoshan Ballad, which is popular among Chaozhou City, Shantou City, Jieyang City and Hai?feng County of Shanwei City, is the folk verbal literature based on Chaoshan dialect. The frequences of rhetori?cal skills used in the 845 Chaoshan ballads which have been researched closedly are repetition, Qixing, Ding?zhen, metaphor, contrast, Pupai, comparison and exaggeration in turn. Qixing, metaphor and comparison are used 785 times, which makes the ballads more beautiful in sounds, more connotative in emotion and more pow?erful in images, more connective in the texts of ballads. Contrast, Pupai and Dingzhen are used in about 500 ballads, resulting in more coherent in momentum, more continuous in mood and tighter in structure to achieve the aesthetic feeling in balanced language. And repetition is used in more than 600 ballads, emphasizing the theme and meaning and enhancing the beauty of music. The clever use of exaggeration makes the living scenes more vivid and moving and shows the aesthetic feeling of change.