CAJ | 학술논문

农民画是中国传统民间美术的代表，是生发于农村并以农民为创作主体而得以呈现的民间艺术形式。通过对山东省巨野县五个传统农民画村落的田野调查，并以巨野董官镇刘官屯村、城关镇洪庙村和独山镇王刘村为个案，调研山东省农民画的历史和村落发展现状，探讨农民画艺术形式的保护及产业的发展的问题，以巨野农民画为例的人类学阐释旨在探索城镇化进程中传统民间美术的保护及发展策略。
농민화시중국전통민간미술적대표，시생발우농촌병이농민위창작주체이득이정현적민간예술형식。통과대산동성거야현오개전통농민화촌락적전야조사，병이거야동관진류관둔촌、성관진홍묘촌화독산진왕류촌위개안，조연산동성농민화적역사화촌락발전현상，탐토농민화예술형식적보호급산업적발전적문제，이거야농민화위례적인류학천석지재탐색성진화진정중전통민간미술적보호급발전책략。
Peasant painting is representative of Chinese traditional folk art, which is presented as a folk art form, develops in rural areas and puts farmers as creative subjects. Through fieldwork of five traditional peasant painting villages in Juye County, Shandong Province and taking Liu Guan-tun village Juye Dongguan town, Hongmiao village Chengguan Town and Wangliu Village Dushan Town as a case, this article investigates the history of peasant paintings in Shandong and village development Status and discusses the protection of art form of peasant painting and the development of industries. The anthropological interpretation of Juye Peasant painting aims to explore the protection and development strategies of traditional folk art in the process of urbanization.