CAJ | 학술논문

卢卡奇的?小说理论?并不是纯粹的关于小说的形式理论，而是以怀旧为幌子，对资本主义进行批判，并移用小说形式进行救赎的文化批判之著，由此形成了他特殊的小说诗学。在怀旧的基础上，卢卡奇从为什么“是”小说和小说为什么“能”两个维度对小说的形式救赎作了纵深阐述，体现出先否定批判，再总体建构的两步走战略。相较阿多诺的非同一性批判，无疑两步走的战略更具深刻性和建设性。但它也有两个明显的悖论，一是排斥却使用理性，二是“退化中含有进化”的历史观。
로잡기적?소설이론?병불시순수적관우소설적형식이론，이시이부구위황자，대자본주의진행비판，병이용소설형식진행구속적문화비판지저，유차형성료타특수적소설시학。재부구적기출상，로잡기종위십요“시”소설화소설위십요“능”량개유도대소설적형식구속작료종심천술，체현출선부정비판，재총체건구적량보주전략。상교아다낙적비동일성비판，무의량보주적전략경구심각성화건설성。단타야유량개명현적패론，일시배척각사용이성，이시“퇴화중함유진화”적역사관。
The Theory of Novel by Lukacs is not an important work of pure novel,but a cultural criti-cism.In this book,Lukacs criticized the alienation of capitalist society.As a response to this,he also shift novel form for salvation under the guise of romantic nostalgia.It also reflects a two-step strategy:first to make a criticism,and then to construct the totality,which compared to Adorno's non-identity critique,is undoubtedly more profound and constructive.However,there are two obvious paradoxes in his discourse:one is in the rational understanding,the other is in the understanding of history.