CAJ | 학술논문

荷兰汉学家伊维德元杂剧研究的最主要特点是以中国传统的“文本校阅”结合西方的“文本细读”，并进而上升为“文化细读”。他认为，元代形成的杂剧文本在明代经由两种截然不同的路径而被改写，而这些文本改编背后，则存在着语境、意识形态、商业目的和戏曲表演等主导因素的制约。伊维德元杂剧研究的思路和视角，可为国内的戏曲研究提供多方面的借鉴或启发。
하란한학가이유덕원잡극연구적최주요특점시이중국전통적“문본교열”결합서방적“문본세독”，병진이상승위“문화세독”。타인위，원대형성적잡극문본재명대경유량충절연불동적로경이피개사，이저사문본개편배후，칙존재착어경、의식형태、상업목적화희곡표연등주도인소적제약。이유덕원잡극연구적사로화시각，가위국내적희곡연구제공다방면적차감혹계발。
The main feature of the Dutch sinologist Wilt L.Idema's research on Yuan Zaj u is that he combines Chinese traditional method of “comparative texts review”with western method of “close reading”elevating them to “cultural close reading”.In his point of view,the texts of the dramas formed in Yuan Dynasty have been rewritten in the Ming Dynasty via two distinctive ways.However,these a-dapted texts are restricted by certain leading factors,such as the context,ideology,commercial purpo-ses and theatrical performances etc.The ideas and perspectives which Wilt Idema employs in his re-search on Yuan Zaj u can provide various references or inspirations for the domestic studies of dramas.