CAJ | 학술논문

从体育人类学的视角对江永女书文字符号与鸟图腾崇拜艺术，江永女书文字中的歌舞文化及歌舞鸟图腾文化展开了多元的考证与思辨，旨在通过女书文字的历史考证形成对江永女子体育文化的整理。研究认为：女书字符中的“鸟型”造字现象与古越人的鸟图腾崇拜具有精神上的继承与贯通，是古越文化的孑遗和演变；女书文字符号显示了鸟、人、神三位一体的微标性鸟图腾图像；女书具有典型地域性、群体性、标志性的文化基调，诠释了江永妇女生活的群体意识、社会地位和性别意识，反映出一定历史时期我国妇女的文化自觉和精神慰藉；以体育游戏为题材是江永女书歌舞艺术的表现形式之一；女书“歌舞”造字艺术起源于对鸟图腾的崇拜；女书文字在自我建构与被建构博弈冲突过程中实现双向的流动、传承与文化变异，只有克服现代文化的话语霸权和知识暴政，探索历史和现实语境下女书歌舞艺术自身传承的发展规律，充分尊重女书传承人的主体地位和人性关怀，才能形成对江永女书歌舞艺术展开原生态的传承与保护。
종체육인류학적시각대강영녀서문자부호여조도등숭배예술，강영녀서문자중적가무문화급가무조도등문화전개료다원적고증여사변，지재통과녀서문자적역사고증형성대강영녀자체육문화적정리。연구인위：녀서자부중적“조형”조자현상여고월인적조도등숭배구유정신상적계승여관통，시고월문화적혈유화연변；녀서문자부호현시료조、인、신삼위일체적미표성조도등도상；녀서구유전형지역성、군체성、표지성적문화기조，전석료강영부녀생활적군체의식、사회지위화성별의식，반영출일정역사시기아국부녀적문화자각화정신위자；이체육유희위제재시강영녀서가무예술적표현형식지일；녀서“가무”조자예술기원우대조도등적숭배；녀서문자재자아건구여피건구박혁충돌과정중실현쌍향적류동、전승여문화변이，지유극복현대문화적화어패권화지식폭정，탐색역사화현실어경하녀서가무예술자신전승적발전규률，충분존중녀서전승인적주체지위화인성관부，재능형성대강영녀서가무예술전개원생태적전승여보호。
From the perspective of sport anthropology,this study examines text symbols and bird totem worship in Jiangyong nushu script( women’s writing) ,singing and dancing tradition in it and the relationship between the bird totems and the singing-dancing. The aim is to achieve a better and clearer understanding of women sport in the his-tory of Jiangyong. We have made the following findings. Characters containing bird elements bear a relationship to the bird totem worship of ancient Yue people. Nushu characters incorporate bird,man and God in one. Nushu script is characterized by being regional,communal and symbolic,an interpretation of women’s communal consciousness, social status and gender consciousness in Jiangyong and a reflection of women’s cultural consciousness and spiritual comfort in a certain historical period. The art of singing and dancing in nushu script sometimes takes the form of sports games. Characters created based on singing and dancing originated in the worship of bird totems. Nushu script has seen a two-way flow,inheritance and cultural alienation during the process of self-construction and being con-structed. We conclude that the inheritance and protection of the original singing and dancing hidden in nushu script is impossible unless modern discourse hegemony and tyranny of knowledge are overcome,the laws governing the de-velopment of the art of singing and dancing in nushu script is explored in both historical and contemporary context, and the subject status and humanistic concerns of the inheritors of nushu script are fully respected.