CAJ | 학술논문

中国的世界文学史新建构中，应当改变以前将中国本土文学排除在外的模式。根据国际世界文学史的书写经验，将本土文学作为世界文学史的构成，可以使中国文学具有世界性的视域，更为重要的是这样可以建立中国的主体性话语。只有通过主体性话语的对话，发出中国的“声腔”，中国才能真正进入世界文学史。世界文学史应当是多元主体话语、“多声腔”的体系，从“理一分殊”的辩证理性观念来看，世界文学的整体性表现为一种“理一”，而中国文学的主体性话语则是“分殊”，从分殊到理一，推动多元化的世界文学体系建构。
중국적세계문학사신건구중，응당개변이전장중국본토문학배제재외적모식。근거국제세계문학사적서사경험，장본토문학작위세계문학사적구성，가이사중국문학구유세계성적시역，경위중요적시저양가이건립중국적주체성화어。지유통과주체성화어적대화，발출중국적“성강”，중국재능진정진입세계문학사。세계문학사응당시다원주체화어、“다성강”적체계，종“리일분수”적변증이성관념래간，세계문학적정체성표현위일충“리일”，이중국문학적주체성화어칙시“분수”，종분수도리일，추동다원화적세계문학체계건구。
The tradition of expelling native Chinese literature should no longer be observed in the new construction of world literature history in China. The international compiling experience of world literature history suggests that treating native literature as its component will bring world perspective and more importantly Chinese subjective discourse to her literature. Only the utterance of sinophony in the dialogue of subjective discourse can signify China’s real entry into the world literature history, which should be a multi-subjective discourse, consists of multi-phones. In terms of the dialectical rationalism of “The Principle is One, its Implementation is Divided into Multiplicity”, the totality of world literature could be considered as“the One Principle”, while the subjective discourse of Chinese Literature as“Multiplicity”, the evolution from the latter to the former propels the construction of the diversiifed world literature system.