CAJ | 학술논문

施光南的歌剧创作是我国歌剧界研讨的重点。虽然他在歌剧创作方面不如在歌曲方面的影响那么大，但他在了解中西方歌剧异同的基础上，吸取精髓，弃其糟粕，不仅将西方歌剧中值得借鉴的成分应用到了我国的歌剧创作中，更将我国古典与现代的故事巧妙地结合在歌剧的表现形式里，同时兼顾我国大众对歌剧审美需求，进行了古典与现实相结合的创作，使其成为具有时代性和通俗性的新歌剧形式。其中，最为著名的即其对歌剧中男性角色的分析与塑造，这在中国的歌剧史上是具有里程碑意义的，以《伤逝》与《屈原》为例，探讨施光南对歌剧中男性角色塑造的内涵与启示。
시광남적가극창작시아국가극계연토적중점。수연타재가극창작방면불여재가곡방면적영향나요대，단타재료해중서방가극이동적기출상，흡취정수，기기조박，불부장서방가극중치득차감적성분응용도료아국적가극창작중，경장아국고전여현대적고사교묘지결합재가극적표현형식리，동시겸고아국대음대가극심미수구，진행료고전여현실상결합적창작，사기성위구유시대성화통속성적신가극형식。기중，최위저명적즉기대가극중남성각색적분석여소조，저재중국적가극사상시구유리정비의의적，이《상서》여《굴원》위례，탐토시광남대가극중남성각색소조적내함여계시。
SHI Guang-nan's opera creation is the focus in China's Opera circles. The inlfuence of his opera creation is not as good as his song creation, but he created a new opera style with the contemporaneity and popularity by means of understanding the similarities and differences of Western opera, absorbing its essence and discarding its dross, ifnally achieving a creation that combines the Western opera composition with China's opera creation and skillfully put China’s classical and modern stories into the representation of opera, which meet the aesthetic demand of Chinese people, is a classical and realistic combination. Among SHI Guang-nan's operas, the most famous is the analysis and characterization to the male characters, which has the signiifcance of milepost in the history of China’s opera, this article takes “Regret for the past" and "QU Yuan" as an example, discusses on the connotation and enlightenment of SHI Guang-nan’s male role shaping.