东北亚外语研究
東北亞外語研究
동북아외어연구
Foreign Language Research In Northeast Asia
2014年
4期
37-41
,共5页
莫言%村上春树%《红高粱》%《奇鸟行状录》%“暴力审美”
莫言%村上春樹%《紅高粱》%《奇鳥行狀錄》%“暴力審美”
막언%촌상춘수%《홍고량》%《기조행상록》%“폭력심미”
Mo Yan%Haruki Murakami%RedSorghum%TheWind-up BirdChronicle%aesthetics of violence
文学作品中的暴力素材，不但能够带给读者非典型性的审美过程，还能够对于作者自身的美学立场进行表征。在面对相同的暴力素材（活剥人皮）时，风格迥异的莫言与村上春树采用截然不同的艺术手法为读者带来了各具特色的暴力审美过程。然而，这种差异所展现出的却不仅仅是他们独到的创作理念与审美风格，潜藏其后的还有作家对于战争、对于历史的深度思索，以及他们凭借以暴力抗诉暴力等方式在美学视域中实现的殊途同归。
文學作品中的暴力素材，不但能夠帶給讀者非典型性的審美過程，還能夠對于作者自身的美學立場進行錶徵。在麵對相同的暴力素材（活剝人皮）時，風格迥異的莫言與村上春樹採用截然不同的藝術手法為讀者帶來瞭各具特色的暴力審美過程。然而，這種差異所展現齣的卻不僅僅是他們獨到的創作理唸與審美風格，潛藏其後的還有作傢對于戰爭、對于歷史的深度思索，以及他們憑藉以暴力抗訴暴力等方式在美學視域中實現的殊途同歸。
문학작품중적폭력소재，불단능구대급독자비전형성적심미과정，환능구대우작자자신적미학립장진행표정。재면대상동적폭력소재（활박인피）시，풍격형이적막언여촌상춘수채용절연불동적예술수법위독자대래료각구특색적폭력심미과정。연이，저충차이소전현출적각불부부시타문독도적창작이념여심미풍격，잠장기후적환유작가대우전쟁、대우역사적심도사색，이급타문빙차이폭력항소폭력등방식재미학시역중실현적수도동귀。
Violent material in literary works, not only brings a special aesthetic process to the readers, but also explains the author’s own aesthetic standpoint. When facing the same violent material (flaying alive), Mo Yan and Haruki Murakami choose to use very different artistic techniques and bring different violence aesthetic processes to the readers. However, this difference not only shows the two writers’ unique creative ideas and aesthetic styles, but also reveals their deep thinking about war and history as well as their similar idea of using violence against violence to achieve aesthetic effects.
