CAJ | 학술논문

纪录片与其他影视作品一样，都是视听结合的产物。除画面外，声音在纪录片的创作中占有举足轻重的地位。从政治化纪录片，到客观纪实，再到多元化的主观表象，中国纪录片随着时代在不断的变化。在纪录片变化过程中，声音与画面的关系一直是人们争论的焦点。其中出现了一些声音与画面、主题配合十分完美的作品，并且越来越多的音乐家和理论工作者开始着重从事此方面的研究和创作工作。
기록편여기타영시작품일양，도시시은결합적산물。제화면외，성음재기록편적창작중점유거족경중적지위。종정치화기록편，도객관기실，재도다원화적주관표상，중국기록편수착시대재불단적변화。재기록편변화과정중，성음여화면적관계일직시인문쟁론적초점。기중출현료일사성음여화면、주제배합십분완미적작품，병차월래월다적음악가화이론공작자개시착중종사차방면적연구화창작공작。
Documentary film and other film and television works, is the combination of audio-visual products. In addition to the images, sound occupies a pivotal position in the creation of the documentary. From politicized documentaries, to objective reality, to the subjective representation of pluralism, Chinese documentary is constantly changing with The Times. In the process of documentary changes, voice and image relationship has always been the focus of the debate. Among them some sound and picture, theme with perfect works, and more and more musicians and theoretical workers begin to focus on is engaged in the research and creative work.