CAJ | 학술논문

赫尔曼·麦尔维尔创作生涯的第二阶段以短篇小说为主，在这一阶段，麦尔维尔的创作风格由早期的浪漫主义逐渐转向现实主义，他在相对较短的篇幅里，更为集中地体现了他对特定社会问题的剖析和见解。通过对《文书巴托尔比》、《贝尼托·切雷诺》和《水手比利·巴德》三个短篇名作的分析，探讨麦尔维尔在小说中构建真实的方法，其中包括象征手法的使用，对“人性化管理”、“种族优越论”、“司法公正”等谎言的批判以及有别于全知全能的叙述方式。以此构建起来的真实是麦尔维尔短篇小说长久魅力的所在。
혁이만·맥이유이창작생애적제이계단이단편소설위주，재저일계단，맥이유이적창작풍격유조기적랑만주의축점전향현실주의，타재상대교단적편폭리，경위집중지체현료타대특정사회문제적부석화견해。통과대《문서파탁이비》、《패니탁·절뢰낙》화《수수비리·파덕》삼개단편명작적분석，탐토맥이유이재소설중구건진실적방법，기중포괄상정수법적사용，대“인성화관리”、“충족우월론”、“사법공정”등황언적비판이급유별우전지전능적서술방식。이차구건기래적진실시맥이유이단편소설장구매력적소재。
The second stage of Herman Melville ’s writing career focuses on short stories. In this stage,Herman Melville’s writing style turns to realism from early romanticism. In a relatively shorter length,he intensively reflects his analysis on and insight into specific social issues. Based on the a-nalysis of Wen Shu Ba Tuo Er Bi,Benito Cereno,and the Sailor Billy Budd,the author attempts to discuss the way Herman Melville’s building of reality in short stories,including the use of powerful symbols,the criticism of lies,such as soft-touch management,racial supremacy and justice,and a special narrative style different from the one told by an omnipotent narrator. It is in the truthfulness that the transcendent power of Melville’s short stories lies.