江西师范大学学报(哲学社会科学版)
江西師範大學學報(哲學社會科學版)
강서사범대학학보(철학사회과학판)
JOURNAL OF JIANGXI NORMAL UNIVERSITY (PHILOSOPHY & SOCIAL SCIENCES EDITION)
2014年
6期
66-72
,共7页
“六诗”%王官%周礼%瞽矇
“六詩”%王官%週禮%瞽矇
“륙시”%왕관%주례%고몽
“Liushi”%dynastic officials%Zhou Li%Gumeng
《周礼·大司乐》所记载的“六诗”是中国本土生成的一个重要诗歌术语,其涉及早期诗乐观、文学观、政教观等,蕴含了三代礼乐文化生成及传播等众多学术信息。作为早期诗乐形态,“六诗”的生成机制、演述体式、传播机制与上古政教传统、风俗等社会体制有密切关联。“六诗”之教服务于当时社会的整个意识形态领域,上古“王官之学”即早期官方意识形态的综合体现,这其中既包括三代时期的王官之学,亦包括巫祝文化。“六诗”之衍生与巫瞽乐官的采编、典乐和教学等密切相关。伴随王官文化的衰退,瞽矇逐渐沦为优人讽谏,周代六诗亦最终走向衰落。
《週禮·大司樂》所記載的“六詩”是中國本土生成的一箇重要詩歌術語,其涉及早期詩樂觀、文學觀、政教觀等,蘊含瞭三代禮樂文化生成及傳播等衆多學術信息。作為早期詩樂形態,“六詩”的生成機製、縯述體式、傳播機製與上古政教傳統、風俗等社會體製有密切關聯。“六詩”之教服務于噹時社會的整箇意識形態領域,上古“王官之學”即早期官方意識形態的綜閤體現,這其中既包括三代時期的王官之學,亦包括巫祝文化。“六詩”之衍生與巫瞽樂官的採編、典樂和教學等密切相關。伴隨王官文化的衰退,瞽矇逐漸淪為優人諷諫,週代六詩亦最終走嚮衰落。
《주례·대사악》소기재적“륙시”시중국본토생성적일개중요시가술어,기섭급조기시악관、문학관、정교관등,온함료삼대례악문화생성급전파등음다학술신식。작위조기시악형태,“륙시”적생성궤제、연술체식、전파궤제여상고정교전통、풍속등사회체제유밀절관련。“륙시”지교복무우당시사회적정개의식형태영역,상고“왕관지학”즉조기관방의식형태적종합체현,저기중기포괄삼대시기적왕관지학,역포괄무축문화。“륙시”지연생여무고악관적채편、전악화교학등밀절상관。반수왕관문화적쇠퇴,고몽축점륜위우인풍간,주대륙시역최종주향쇠락。
“Liushi”is an important Chinese native poetic term,first seen in“Zhou Li”. It involves three generations’view of poetic music,literature view,and poetical and educational outlooK,the generation and diffusion of the ritual culture of three generations,and much other academic informa-tion. As an early form of poetic music,“Liushi”is closely associated with the early Chinese social system,such as politics,education and customs. Teaching“Liushi”served for the ideological field of the whole society. Dynastic officials’culture is the early official Comprehensive embodiment of ideol-ogy.“Liushi”is rooted in the ancient official cultural soil;its generation,transmission mechanism and so on,are closely related to the three generations of Liyue system and Wuzhu culture. The deriv-ative of“Liushi”was related to Wugu Presenting Poetry;collecting poetry and education. But with the loss of Gumeng cultural status,“Liushi”also gradually declined.