CAJ | 학술논문

王蒙最新长篇小说《闷与狂》的叙述者始终充满着对于话语本身的特殊感觉，它通过语言上的狂欢等特点，试图冲破作为暴力的“语言的网子”，进而实现话语的解放。小说通过话语的解放，还表现出内在主体间性的开放。小说把一个主人公的自我打碎，分裂成数个自我，每个自我主体之间构成了多元的和动态的对话关系，而无论是致力于话语的“狂舞”，还是充分打开内在主体间性的审美空间，都是为了进一步与话语秩序和思想规范相抗争，并从这种抗争中获得抗争自身的价值，最终实现潜能的释放。
왕몽최신장편소설《민여광》적서술자시종충만착대우화어본신적특수감각，타통과어언상적광환등특점，시도충파작위폭력적“어언적망자”，진이실현화어적해방。소설통과화어적해방，환표현출내재주체간성적개방。소설파일개주인공적자아타쇄，분렬성수개자아，매개자아주체지간구성료다원적화동태적대화관계，이무론시치력우화어적“광무”，환시충분타개내재주체간성적심미공간，도시위료진일보여화어질서화사상규범상항쟁，병종저충항쟁중획득항쟁자신적개치，최종실현잠능적석방。
Wang Meng’s novel BORING AND CRAZY is always filled with a special feeling for the discourse itself.It tries to break through “the net of language”,through language and other characteristics,thus achieving liberation of discourse. By the liberation of discourse,it also exhibits opening of the inside inter-subj ectivity.The novel shattered the self-image of a character,and made it split into a number of selfs.Thus a kind of diverse and dynamic dialogue relationship is formed between all the self-subj ectivities.And whether it is committed to the “dance”of discourse or fully opens space between the inner aes-thetic subj ectivity,is to further fight to the discourse order and the thought norms,and to get its value from this struggle,and ultimately achieve potential release.