CAJ | 학술논문

《猴山上的梦》是1992年诺贝尔文学奖获得者德里克·沃尔科特的著名诗剧。该剧主要围绕主人公烧炭翁马卡克的梦幻与疯癫的故事展开。本文试图借助霍米·巴巴关于矛盾状态、模仿与混杂性的后殖民理论，探讨沃尔科特如何成功通过该剧的人物塑造，由个体到群体，深刻揭示加勒比海地区殖民地人民心理沉积与生存状态，发出他们被压抑的声音，建构混杂的文化身份。
《후산상적몽》시1992년낙패이문학장획득자덕리극·옥이과특적저명시극。해극주요위요주인공소탄옹마잡극적몽환여풍전적고사전개。본문시도차조곽미·파파관우모순상태、모방여혼잡성적후식민이론，탐토옥이과특여하성공통과해극적인물소조，유개체도군체，심각게시가륵비해지구식민지인민심리침적여생존상태，발출타문피압억적성음，건구혼잡적문화신빈。
The poetic drama, Dream on Monkey Mountain, written by Derek Walcott, the winner of the Nobel Prize for literature in 1992, is based on the plot of the dream and madness of charcoal burner Makak. Based on the relative theo-ries of Homi K. Bhabha on contradiction, mimetic and hybridity, the essay tries to analyse the success of the play on revealing the profound psychological depression and living situation, uttering the long depressed voice, constructing hybrid cultural identity.