中国生漆
中國生漆
중국생칠
JOURNAL OF CHINESE LACQUER
2014年
4期
12-17
,共6页
东亚%漆艺文化%阶段%交流
東亞%漆藝文化%階段%交流
동아%칠예문화%계단%교류
East Asia%lacquer art cultural%stage%exchange
漆艺文化是最能体现东亚文化特质的样式之一。从古至今,东亚的漆艺文化交流源源不绝。本文以中国为视角,考察东亚漆艺文化发展和交流的历史,将其划分为三个历史阶段。提出阶段划分的主要依据,并对每个阶段状况作以概述,在此基础上总结出东亚漆艺文化交流的历史特点。
漆藝文化是最能體現東亞文化特質的樣式之一。從古至今,東亞的漆藝文化交流源源不絕。本文以中國為視角,攷察東亞漆藝文化髮展和交流的歷史,將其劃分為三箇歷史階段。提齣階段劃分的主要依據,併對每箇階段狀況作以概述,在此基礎上總結齣東亞漆藝文化交流的歷史特點。
칠예문화시최능체현동아문화특질적양식지일。종고지금,동아적칠예문화교류원원불절。본문이중국위시각,고찰동아칠예문화발전화교류적역사,장기화분위삼개역사계단。제출계단화분적주요의거,병대매개계단상황작이개술,재차기출상총결출동아칠예문화교류적역사특점。
Lacquer art culture is one of the styles which can best embody the East Asian cultural traits . From ancient times to today , lacquer art culture exchange has never stopped in East Asia .This paper re-views the development and exchange history of East Asian lacquer art culture , which is divided into three historical stages from the Chinese perspective .The paper provides the main basis of the stage division , over-views the status of each stage , and summarizes the historical characteristics of East Asian lacquer art cultural exchange .