CAJ | 학술논문

吴岸从1962年《盾上的诗篇》便开始其半个世纪的创作，在砂华文学担任先锋者的角色。对吴岸而言，本土即是砂捞越，其本土书写集中在土地（砂捞越）与个人的回忆与经历。文章核心以吴岸作为砂华文学底下的个体，从本土出发，以书写的独特性展示砂华文学的自主文学场域的可能性。吴岸创作中的本土与现实主义融合并促成思想与空间的交织，形成土地与世界两面维度的接轨，展示具“本土世界观点”的文学。
오안종1962년《순상적시편》편개시기반개세기적창작，재사화문학담임선봉자적각색。대오안이언，본토즉시사로월，기본토서사집중재토지（사로월）여개인적회억여경력。문장핵심이오안작위사화문학저하적개체，종본토출발，이서사적독특성전시사화문학적자주문학장역적가능성。오안창작중적본토여현실주의융합병촉성사상여공간적교직，형성토지여세계량면유도적접궤，전시구“본토세계관점”적문학。
With his collection, Poems on a Shield, in 1962, Wu An began his career of writing for half a century, playing the role of an avant-garde in Sarawak. For Wu, his native country is Sarawak, and his native writing focuses on his personal memory and experience in his native country(Sarawak). This article centres around Wu An, who, in his unique writing, shows the possibility of the autonomous literary site in Sarawak literature as an individual at the bottom of that literature and from a native point of view. The merging of the native and realism in Wu’s writings that makes it possible for thought and space to be interwoven has bi-dimensionally integrated the land and the world in showing a literature of“native world views.”