华文文学
華文文學
화문문학
CHINESE LITERATURE
2015年
1期
22-29
,共8页
影戏小说%通俗文学%小说范式%叙事%影像
影戲小說%通俗文學%小說範式%敘事%影像
영희소설%통속문학%소설범식%서사%영상
film fiction%popular literature%fictional paradigms%narrative%filmic images
清末明初，随着西洋电影进入中国，作为上海通俗小说创作主体的鸳蝴派文人恰在此时创作了一批影戏小说，通过自己的观影经验重述电影情节，改写成小说，在大众刊物上发表。这一类小说除广告效应之外，中外小说范式的拉锯以及影像到文字的叙述变化，都突出反映了一个时代文学理念与形态演变的轨迹。
清末明初，隨著西洋電影進入中國，作為上海通俗小說創作主體的鴛蝴派文人恰在此時創作瞭一批影戲小說，通過自己的觀影經驗重述電影情節，改寫成小說，在大衆刊物上髮錶。這一類小說除廣告效應之外，中外小說範式的拉鋸以及影像到文字的敘述變化，都突齣反映瞭一箇時代文學理唸與形態縯變的軌跡。
청말명초，수착서양전영진입중국，작위상해통속소설창작주체적원호파문인흡재차시창작료일비영희소설，통과자기적관영경험중술전영정절，개사성소설，재대음간물상발표。저일류소설제엄고효응지외，중외소설범식적랍거이급영상도문자적서술변화，도돌출반영료일개시대문학이념여형태연변적궤적。
At the end of the Qing Dynasty and in the beginning of the Republic of China, and with the introduction of Western films into China, men of letters belonging to the Mandarin Duck and Butterfly School, a major creative part of Shanghai popular fiction, wrote batches of“Film Fiction”by writing fiction adapted from the films they had watched and by re-writing the plots of the films before publishing them in popular magazines. Apart from their advertising effects, these fictions feature the toing and froing of fictional paradigms, Chinese or foreign, and changes in narration from filmic images to words that prominently re-flect the traces of transformation in the literary concepts and forms of the time.
